This site requires that you enable Javascript to function properly Scholten Japanese Art | Paul Binnie the Body Illustrated | Lingering Dreams and Phoenix
Scholten Japanese Art Gallery
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Lingering Dreams
Phoenix

Paul Binnie, Scottish, b. 1967

Lingering Dreams
(Yume no ato)

signed in kanji, Bin-ni, followed by artist's red seal Binnie, the title, Yume no ato, at upper left margin, embossed Binnie at center of bottom margin, numbered and signed in pencil, 21/200, Paul Binnie, ca. January 2009

obaiban tate-e 21 5/8 by 16 3/8 in., 55 by 41.5 cm

This print, and a related print, Ho-o (Phoenix), are both derived from a much sought-after design commissioned in 2006, Ho-o no Yume (Phoenix Dream). Both new releases employ many of the original blocks, but Binnie in effect has split the original composition into two distinct subjects, the ho-o tattoo, and the dream. This print uses the same striped kimono as the original composition, but now in shades of pink, while the background is delicately shaded as to suggest a small high window casting light.

$1,200

Paul Binnie, Scottish, b. 1967

Phoenix
(Ho-o)

signed in kanji, Bin-ni, followed by artist's red seal Binnie, the title, Ho-o, at upper left margin, embossed Binnie at center of bottom margin, and signed in pencil, 27/200, Paul Binnie, ca. 2009

obaiban tate-e 22 5/8 by 16 1/4 in., 57.5 by 41.3 cm

This print, and a related print, Yume no ato (Lingering Dreams), are both derived from a much sought-after design commissioned in 2006, Ho-o no Yume (Phoenix Dream). Both designs utilize many of the original blocks, but Binnie in effect has split the original composition into two distinct subjects, the ho-o tattoo, and the dream. This print uses the same blocks for the tattoo, but there is a new shibori pattern on the deep burgundy-colored kimono. The background is a paler grey, and Binnie chose a heavier paper cut slightly taller to emphasize the fading out of the background color block.

$1,200