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Kazue

Yamagishi Kazue

1891-1984

Countrymen in a Foreign Land
(Ikyo no dohou)

rural landscape with farmers and oxen against a pinkish orange sky, possibly from the Toa hyakkei (One Hundred Views of East Asia) series, signed Kazue with red artist's seal Kazue, the title in sumi ink on the left margin, self-carved and self-printed, ca. 1937

13 5/8 by 16 7/8 in., 34.7 by 43 cm

Yamagishi Kazue was born in Ina City of Nagano and moved to Tokyo at the age of 15 where he worked as a woodblock carver for the Yomiuri Shinbun Company from 1906 to 1916. In addition to learning the block-carving trade, Yamagishi studied painting with Kuroda Seki (1866-1924), one of the most recognized and influential yoga (Western-style) artists; and sculpture with Muto Shuho. From 1917 he carved woodblocks for a variety of artists and he was sent to the United States and Europe from 1926 to 1929 by the Ministry of Education in order to demonstrate and promote Japanese woodblock printing techniques. He carved blocks for Yokoyama Taikan (1868-1968), Takehisa Yumeji (1884-1934), Kaburagi Kiyokata (1878-1972), Hiroshi Yoshida (1876-1950), Paul Jacoulet (1896-1960), Ishikawa Toraji (1875-1964) and book covers for Onchi Koshiro (1891-1955). In addition to his importance as the carver of choice to these leading artists, Kazue self-published many woodblock prints of his own design, including these series: One Hundred Views of Japan (Nihon hyakkei) in 1929; One Hundred Views of the World (Sekai hyakkei) in 1937; and One Hundred Views of the East (Toa hyakkei), in 1937.

References:
Merritt, Helen, Guide to Modern Japanese Woodblock Prints: 1900-1975, 1992, p. 168
Nihon no hanga V 1941-1950, "Nihon no hanga" to wa nani ka (Japanese Prints IV, 1941-1950, What is a 'Japanese Print'), Chiba City Museum of Art, 2008, p. 39, no. 43

price: $ 900

kikumon

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site last updated
November 13, 2018

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