This site requires that you enable Javascript to function properly Scholten Japanese Art | Kikugawa Eizan | Teahouse on Nakanocho in Yoshiwara | Highlights of Japanese Printmaking Part 4 Shunga
Scholten Japanese Art Gallery
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Kikugawa Eizan Teahouse on Nakanocho in Yoshiwara

Kikugawa Eizan, 1787-1867

Selections from the Brocade Quarter: Teahouse on Nakanocho in Yoshiwara
(E-awase Kinkaisho)

the sixth design from an album of twelve prints, a geisha with resplendent robes entwined with a customer; at upper right on a serving tray a fish presented on a porcelain dish, at left is a sake kettle and cup, the folded packet onkotogami (paper tissues) nearby suggests their encounter has just begun, with karazuri ('blind printing') on the black and white shibori lining her kosode, and metallic printing on the lacquer tray and her brocade obi, ca. 1815

oban yoko-e 10 by 14 3/8 in., 25.5 by 36.5 cm

The dialogue between the pair sets the scene in a ryori-chaya (teahouse restaurant) on the Nakanocho, the main street in the Yoshiwara. The geisha was supposed to only entertain the customer, and she worries about being caught while the customer enjoys his indulgences. He comments: "On such an interesting Nakanocho evening, with a sky so beautiful as to make the flowers sing its praises, soliciting a geisha in this place—I'm such a wastrel." She responds: "Stop saying such foolish things and let's quickly be done. It wouldn't be good if someone were to come by."

Hayakawa, Forbidden Images- Erotic Art from Japan's Edo Period, 2002 (dialogue translation)
Calza, Poem of the Pillow and Other Stories, 2010, p. 410