Scholten Japanese Art presents
The Body Illustrated:
Woodblock Prints, Paintings & Drawings by Paul Binnie
Asia Week New York Contemporary: May 2 - 10, 2017, 11 am - 6 pm
otherwise by appointment through July 15th
Friday, May 5th, 6 – 8 pm: Open House Gallery Night with Binnie
Saturday, May 6th, 3 pm: Printing by Binnie (space limited, rsvp needed)
Sunday, May 7th, 3 pm: Chatting with Binnie (space limited, rsvp needed)
Friday, July 14th 6 – 8 pm: Mid-Summer Gallery Night
view the online exhibition...
index of the exhibition...
Scholten Japanese Art is pleased to participate in Contemporary Art Week 2017 with THE BODY ILLUSTRATED: WOODBLOCK PRINTS, PAINTINGS & DRAWINGS BY PAUL BINNIE, an exhibition inspired by the completion of Paul Binnie's (b. 1962) beloved series A Hundred Shades of Ink of Edo (Edo Zumi hyaku shoku) with a comprehensive exploration of the artist's nude and tattoo subjects in a variety of media.
The woodblock print series A Hundred Shades of Ink of Edo playfully references timeless imagery from classic ukiyo-e and inventively placed them on modern nude subjects. The first image from the series, the 2004 Kuniyoshi's Cats (Kuniyoshi no neko, 16 7/8 by 11 3/8 in., 43 by 29 cm) takes on Utagawa Kuniyoshi's (1798-1861) fondness for felines by artfully lifting upwards of eighteen cats from Kuniyoshi's ca. 1848-1849 composition Cat's Suggested as the Fifty-Three Stations of the Tokaido Road. The design is set against a dramatic gradating stylized swirl (baren sujizuri bokashi) background, and features another cat, indecorously cleaning itself at the base of the title cartouche. Subsequent images from the series paid homage to other familiar masters of ukiyo-e, from the kabuki subjects of Toshusai Sharaku (active ca. 1794-1795) and Utagawa Kunisada (1786-1865) to the beauties of Suzuki Harunobu (ca. 1724-1770) and Keisai Eisen (1790-1848).
In addition to presenting the complete tattoo series on exhibition for the first time, this exhibition will offer an array of early Binnie paintings, sketches and prints of nude and tattoo (and nudes with tattoos) subjects, including some very early works, some of which have never been exhibited, published, or offered for sale. In the watercolor painting from circa 1993-4, Waking (see image above, 10 5/8 by 15 1/8 in., 27 by 38.5 cm.), a reclining male nude lies horizontally against a deep teal background, bearing a blue koi tattoo down the sides of his chest, while hiding his face with his left arm. The dappled light dances on the subject's body in much the same way that light would hit the surface of water, enlivening the tattoo of stylized waves and carp swimming upstream.
In his 1994 oil on canvas painting, Candlelight (20 7/8 by 18 3/4 in., 65 by 53 cm), Binnie dramatically depicts a nude male figure in profile, his backside illuminated from left, his glowing skin emerging from the shadows, which Binnie masterfully adapted with a slightly more demure stencil print (kappazuri, 24 3/4 by 18 3/4 in., 63 by 47.6 cm) of the same title from the same year.
In contrast, an oil on canvas painting from only four years later exploring a similar theme, Sunlight, 1998 (detail, 29 3/4 by 24 in., 75.5 by 60.9 cm), a different crouching male model confronts the viewer with a 'side-eye' stare and an unflinching full-frontal display.
The exhibition will include at least 20 woodblock prints, and 20 original paintings and drawings. An online exhibition will be posted in advance of the opening at www.scholten-japanese-art.com.
The gallery exhibition will open on Tuesday, May 2nd, with a special Asia Week New York Open House Gallery Night on Friday, May 5th from 6--8 pm which Paul Binnie will be attending. In addition, the will be a woodblock printing demonstration at 'Printing by Binnie' on Saturday, May 6th at 3 pm, as well as an opportunity to chat with the artist at an informal discussion about printmaking at 'Chatting with Binnie' on Sunday May 6th at 3 pm (space limited at Saturday and Sunday events, reservations will be required).
After May 10th the exhibition will remain on view by appointment through Saturday, July 15th, when it will conclude with a special Mid-Summer Gallery Night to welcome visitors from the 2017 Empire State Tattoo Expo (July 14-16) located at the nearby Midtown Hilton Hotel.
Scholten Japanese Art, located at 145 West 58th Street, Suite 6D, is open Monday through Friday, and some Saturdays, 11am - 5pm, by appointment. To schedule an appointment please call (212) 585-0474.
For the duration of the first segment of the exhibition, May 2 – 10, the gallery will have general open hours (no appointment needed), 11 am to 6 pm; and thereafter by appointment through July 15th.