Hosoda Eishi, 1756-1829
two beauties with kyodai and mirrors; signed Eishi zu with publisher's tomo-e mark and seal Eijudo (Nishimura Yohachi), censor's seal Kiwame, and Hiyashi collector's seal, ca. 1795-96
aiban tate-e 13 1/4 by 8 7/8 in., 33.5 by 22.7 cm
The poem alludes to Ono no Komachi (ca. 825-900), one of the Six Immortal Poets (Rokkasen), who was renowned for her poetry skills, her great beauty, and her prideful scorn towards any would-be suitors in her youth.
Omokage no kawara de
Toshi no tsumorekashi
Tatoe Inochi ni kagiri arutomo
My face, unchanging
my, the years pile up
like my life, it (my beauty) will surely come to an end
The title of the poem, Sekidera, is a reference to an episode from the Sekidera Komachi, a No play written by Zeami Motokiyo (1363- 443) which tells the story of seven episodes from her life, the Nana Komachi. This print is likely part of a rare untitled series based on the Nana Komachi theme for which Brandt records only the Sekidera design.
Klaus J. Brandt, Hosoda Eishi 1756-1829: Der Japanische Maler und Holzschnittmeister und Seine Schuler, 1977, p. 157, no. 338 (series)
Scholten Japanese Art is open Monday - Friday, and some Saturdays by appointment only
Contact Katherine Martin at
(212) 585-0474 or email
to schedule a visit between 11am and 4pm preferably for no more than two individuals at a time.
Visitors are asked to wear face masks and practice social distancing at their discretion.
site last updated
October 14, 2021
Scholten Japanese Art
145 West 58th Street, suite 6D
New York, New York 10019
ph: (212) 585-0474
fx: (212) 585-0475
Join our mailing list...