Our Cavalry Scouting the Battery at Port Arthur from Tucheng
(Waga kihei Dojo shieki yori Ryojun hodai teisatsu no zu)
signed oju Yosai Nobukazu hitsu with two artist's seals, Hasegawa Sonokichi's cat-shaped publisher cartouche with date Meiji nijunananen juichi gatsu nijuyonka (Meiji 27 , November 24), 1894
oban tate-e triptych 14 3/4 by 29 3/8 in., 37.5 by 74.6 cm
In Flash of Light, Fog of War, Bailey draws attention to how Western art conventions and techniques in photography and lithography influenced the rendering of moonlight in wartime prints. While the moon has always been an important element in Japanese art, in the Meiji era, prints artists endeavored to capture the way moonlight actually cast light and shadows. In examples such as this print, entire compositions are bathed in shades of grey for a closer replication of a moonlit view.
Bradley M. Bailey, Flash of Light, Fog of War: Japanese Military Prints, 1894-1905, Ackland Art Museum, 2017, p. 73, no. 28, object no. 2015.11.86a-ca-c
Museum of Fine Arts, Boston, accession no. 2000.443a-c
(inv. no. C-3011)
Scholten Japanese Art is open Monday - Friday, and some Saturdays by appointment only
Contact Katherine Martin at
(212) 585-0474 or email
to schedule a visit between 11am and 4pm preferably for no more than two individuals at a time.
Visitors are asked to wear face masks and practice social distancing at their discretion.
site last updated
October 21, 2021
Scholten Japanese Art
145 West 58th Street, suite 6D
New York, New York 10019
ph: (212) 585-0474
fx: (212) 585-0475
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