Twelve Views of Tokyo: Shinbashi
(Tokyo Junikei: Shinbashi)
cartouche with telephone poles and clock tower; signed Hakutei, with artist's seal Bonkotsu to, published by Yanagiya-shoten, Seikado, ca. 1914-17
oban tate-e 15 1/4 by 10 1/8 in., 38.7 by 25.7 cm
This series captures a key transitional moment for the woodblock print genre. The theme is classic: views of beautiful women presented within parameters as compared to views of famous places. The design is classic: a beauty on a plain ground, and even the proportions of the landscape cartouche above are similar to ukiyo-e; but the moment is contemporary. In the nostalgic subject matter one sees the direction of shin-hanga (new prints) to come; while the loose outlines, soft coloring, and modern views with hints of industrialization are typical of the Western-influenced abstractions of sosaku-hanga.
Kato Junzo, comp., Kindai Nihon hanga taikei, 1975-76, Vol. I, no. 22
Amy Reigle Newland, and Hamanaka Shinji, The Female Image: 20th Century Prints of Japanese Beauties, 2000, p. 36, no. 6
(inv. no. 10-1975)
Scholten Japanese Art is open Monday - Friday, and some Saturdays by appointment only
Contact Katherine Martin at
(212) 585-0474 or email
to schedule a visit between 11am and 4pm preferably for no more than two individuals at a time.
Visitors are asked to wear face masks and practice social distancing at their discretion.
site last updated
October 14, 2021
Scholten Japanese Art
145 West 58th Street, suite 6D
New York, New York 10019
ph: (212) 585-0474
fx: (212) 585-0475
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